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=PoisonedPure:iconPoisonedPure:

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I thought I would put this shoutboard to good use and showcase some lovely photographers I had the pleasure to work with.

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~jonnymorris:iconjonnymorris:
I just wanted to say that. That.
Thu Jul 3, 2008, 2:05 AM
=PoisonedPure:iconPoisonedPure:
Oh I suppose you can Jonny. It has been quite quiet around these parts of late
Mon Jun 30, 2008, 6:33 AM
~jonnymorris:iconjonnymorris:
Can I just interject at this perculiar moment please? Thank you.
Mon Jun 30, 2008, 3:34 AM
*lullacrie:iconlullacrie:
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Nice paw prints... :shocked:
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Nice collection =)
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How aMUSEing...
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Throw you hands up and Shout hey hay hey hay
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Self Portraiture- Hints

Journal Entry: Wed Feb 22, 2006, 8:56 PM
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All contents of this site is copyrighted to Poisoned Pure ©
Do not reproduce under any standard.

~PoisonedPure :rose:



I got asked a while ago how I go about doing Self-Portraiture, so I decided that I might "try" and give a few tips to people that are interested on how I got started.

Poison’s Guide to Self-Portraiture


Beginners: It might sound funny but begin by making friends with a mirror. It is the best way to test out expressions before getting in front of a camera. It also helps to overcome shyness as you are getting used to the way that you look and express yourself, and makes you take notice of your best features and work out ways to play them up.

Next I suggest that you make a tripod your friend. These little gadgets are invaluable when you are starting out or getting serious with any sort of photography. A tripod can be made out of a couple of crates and a beanbag for stability, or tying your camera securely to an object that will not fall down for those interesting angles.

The next step is taking photos. I cheated a bit here because I actually started self-portraiture through a video camera not a photo camera. It had a flip back screen so I could learn positioning and effects better. I later found a digital camera with the same feature and found it invaluable in self-portraiture. If you are not lucky enough to have this feature and/or are using a film camera then I suggest that you get used to framing your shots. It is a tool used commonly by painters but you have got an easier objective that you can place your camera exactly where you want it to be then envision where you would like to be in the picture, whack the timer on and jump in front of the camera instead of having to sketch everything out and using rulers to get the perspective right. I would recommend not getting too technical at this stage but keeping your pictures fairly basic and your focal points simple.

Practice. Practice. Practice.

Intermediates: Here’s where it starts to get fun. By now you have learnt basic picture formats. You can now start working on the elements in your pictures. Keep an eye out for interesting surroundings or textures to work with. Get creative with angles, shadows and light. By this stage you should be getting fairly good at scoping out your environments and knowing where to place yourself and your camera. Don’t worry too much about composition at this stage, as you are really learning how to put yourself into an environment. Remember you can do virtually anything that you can do behind the camera as you can in front of it. All it needs is imagination in envisioning yourself into the shot.

Hopefully you are still remembering that tripods are your friends.

Practice, practice and more practice.

Advanced: By now you’ve become a pro at prancing in front of the camera and taking photos of yourself. You’ve worked out that a camera is your friend and are not afraid to look into the lens of the camera as you are taking a photo. You’ve also got so used to angles and positioning a camera that you can hold and snap a camera at any angle and know fairly well how the end results will look.

This is also when you pay attention to the compositions of your pieces. When you were first learning how to position yourself a hand in the wrong place, a tree sprouting from your head or clutter in a picture could easily be cropped out of the end result. Now you are really setting up your environments and making sure that yourself and your surroundings will all compliment without having added noise in the picture. You begin to pay attention to depth and how to best use your picture framework.

Nothing is stopping you now. You’ve become a pro at self-portraiture. It takes a while to learn when you don’t know or can’t really see what you are doing, but practice always makes perfect. It’s really not as hard as it looks. Give it a go and see what you can create.

Have fun!

Footnote: I have a subscription so watch out DA as I will most definately be making the most of it. Hopefully in the next couple of weeks I will try and interview some DA artists that I admire and post them in my journal. I love my subscription. I only hope that some lovely person gets me a new one when this one runs out. (hint hint)

I am also still updating my gallery so please be patient as all my work will slowly be put back online.

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*lullacrie:iconlullacrie: Feb 23, 2006, 4:23:32 AM
thanks for teh advice. its great you put this up cos im still only learning self portrature and this helped alot.
I also have a flip back screen on my camera. very useful :D

love you long time

--
Streching faces, melting clocks
Stomach knots, the spine it locks
Strangled by this fraying wire twisted sideways drifting higher
Round and round and around again
And to this night there is no end
=PoisonedPure:iconPoisonedPure: Feb 23, 2006, 6:33:50 PM
I'm glad someone got some tips from it. I've never written a tutorial so I didn't know how helpful my advice would be.

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WARNING: I cannot be held responsible for the above, as apparently my cat has learnt how to type.

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*AAC

Supporting Australian Artists throughout the Deviant World...
~BurntFae:iconBurntFae: Oct 19, 2006, 8:32:58 PM
Thank you!

I have trouble with making tripods out of things... getting it at the right level and just finding stable things...

Also, lighting seems to make a big difference. I don't have any good lighting besides sunlight. And, you have to work around its time not your own... plus sunlight is bad for my skin condition. heh.

Erf. Sorry. :O_o:

--
Let us kill each other;
live happily ever never.
-Self



[My stock]: ~burntfaestock
[Member of]: *flower-lovers & ~RosesEtFleurs
~Lucisang:iconLucisang: Feb 8, 2007, 7:58:46 PM
very interesting, i also do selfportraits (I blame it on my lack of artistic friends and desire to learn photography, then i just fell in love with selfportraits and the whole freedom of expression...)

I really enjoyed reading your journal. I like to see how other people go about doing it...

I dont have a flip screen on my camera, so i sometimes use a mirror, it only works well for close up shots. For the rest, i feel that composition comes naturaly with experience, you get used to what your doing and you learn to improvise...


anyways, great journal you have, and i havent even looked at your entire galley yet!
:)
=PoisonedPure:iconPoisonedPure: Feb 8, 2007, 10:19:55 PM
Thankyou very much. It is a very old journal entry now but I do indeed need to update it some time soon. Like yourself I am geographically challenged and model-challenged so got into self portraiture. Even though I do work with other models I still have to say I am completely and utterly hooked on the freedom of expression.

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WARNING: I cannot be held responsible for the above, as apparently my cat has learnt how to type.

--
*AAC

Supporting Australian Artists throughout the Deviant World...
~conundrum66:iconconundrum66: Mar 25, 2007, 7:10:58 PM
this is fantastic. I think it's an effective tutorial!

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=PoisonedPure:iconPoisonedPure: Mar 26, 2007, 8:34:20 PM
Thankyou very much on the feedback. It helps to know so that I can update the tutorials I write :)

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WARNING: I cannot be held responsible for the above, as apparently my cat has learnt how to type.

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*AAC

Supporting Australian Artists throughout the Deviant World...